In Hong Kong, quality assessors from the Education Bureau (EDB) visit kindergartens to conduct Quality Review (QR) assessments. Their written reports, therefore, reflect the official local perspective of quality kindergarten education. We conducted a content analysis of 323 QR reports focusing on the positive and negative feedback and recommendations for improvement regarding music education. Two coding schemes were developed using an inductive approach. High inter-reliability was obtained. The most frequently mentioned positive feedback codes were related to sufficient exposure to music and enjoyable musical learning experiences. In contrast, there were negative feedback codes pointing out that children’s musical exposure was insufficient at Kindergarten 3 (children aged 5–6 years), and some musical activities were poorly prepared and/or designed. Children’s music learning outcomes were rarely mentioned in the reports. The analyses indicate that the local understanding of kindergarten music education strongly emphasizes exposing children to enjoyable musical activities, with a lower focus on the nature and quality of musical learning. We conclude that the QR reports reflect a teacher-centric view of music education. Findings may inform curriculum designers and teacher educators about EDB’s expectations in the area of music education. Future research should explore the perspectives of other kindergarten stakeholders such as teachers, principals, and teacher educators. Copyright © 2024 by the authors.

古人讀書歷來文史哲不分家。通曉文學、歷史、哲學，有人為求功名利祿，也有人藉此修養身心。文史哲知識的融合，能表現個人的學養、文采、思想和立場。現代社會分工精細，中學教育已經文史分科，語文、文學、歷史均各自成科，儼如互不相干。分科的優點固然能令各個科目的教學更加聚焦，但分立的如果是選修科，而學校選擇不開辦的話，學生就難免錯過學習專科的機會，香港的中學中國歷史科正是一個典型例子。學生無緣學習中國歷史，也會減少對中華文化的認識，連帶削弱語文素養。 為促進香港學生對國情和中華文化的認識，教育局在2018/19學年落實中國歷史成為初中的獨立必修科，並於2020年9月從中一級開始逐級推行。雖然如此，中國歷史時代久遠，課程涵蓋面廣，而學校教時有限，教學無疑極具挑戰。如何能把握教學機遇，引起學生學習歷史的興趣，同時提升學生的語文及文化素養，值得教育同行深思。 在新課程的指引下，當局強調通過多元化的策略推動中國歷史教學，鼓勵教師按「政治演變」、「文化特色」及「香港發展」等主題，調適教學內容，以照顧學習差異。同時，新編的中國歷史教材陸續推出，可以反映新課程的精神能否體現。 從文史不分家的角度出發，本文將以新編的中國歷史教材為例，剖析新修訂的歷史科學習內容在字詞、文句及通篇層面的專科語文運用特色，並評價學習歷史對提升語文素養的現實意義。 Copyright © 2022 香港教育大學中國語言學系.

學習古文經典的語文教育意義毋庸置疑，在小學階段奠定古文根基，也能促進中小學的語文學習順利銜接。然而文言作品時代久遠，確實不易理解，因此容易喪失對現代讀者的吸引力，尤其是小學生。 學習動機是學習的原動力，不能引起學生興趣，教學將事倍功半。要提高文言文的閱讀教學效能，教師必須創設適合學生與文本的情景，發掘作品中的情味，才有望激發學習文言作品的動機，消除學生的畏難情緒。為此，本文將嘗試從小學生的學習心理著眼，按生活情趣、好奇貪新、浮想聯翩三條主要線索，探索香港小學常見的文言教材中，切合小學生心智成長的情味旨趣，並設想維持相關篇章學習動機的可行路徑。 Copyright © 2022 香港教育大學中國語言學系.

In English Medium Instruction (EMI) programmes, students learn content subjects through English, their second language (L2). While it has been argued that students can develop their L2 alongside their content knowledge, the L2 goal is not always clearly defined. For example, we do not know enough about the amount of vocabulary required for success in EMI, and the subject-specific language demanded by different content subjects. Some attempts have been made to identify the language demand in EMI concerning the vocabulary used in learning materials and classroom discourse, representing the ‘process’ dimension of research; however, in order to clearly define the language goal, it is crucial to also delve into the ‘product dimension’, pointing to the need for research on EMI assessment. To address the research gap, our study examined 16 sets of papers containing two subjects, namely Biology and Geography, spanning eight years from a high-stakes examination in Hong Kong. The examination is conducted at the end of Secondary Six (Grade 12) to determine university admission and can thus be regarded as what learners are expected to achieve in secondary education. Our investigation into the vocabulary profiles of the examination papers indicates that students needed to learn beyond the K1−K3 (the most frequency 3000 words in English) and master the mid-frequency words (K4−K8) as well as academic words. It also reveals that the less frequent vocabulary items were not often shared by the subjects. Further, the analysis of academic words suggests how some words were commonly used in the examination papers of the two subjects, and others more subject-specific. Pedagogical implications are discussed to highlight the need for teachers and students to attend to the target language goal in EMI and to consider the subject-specific nature of the vocabulary items in EMI. Copyright © 2022 ICELEAL.

Globalization has influenced preschool education in Hong Kong, where the official curriculum framework has integrated the Western notion of creativity with the arts. However, little is known about how local stakeholders perceive this notion and its viability in practice. We interviewed 50 stakeholders to understand their perspectives on the Arts and Creativity learning area. Descriptive statistics and thematic analysis were conducted. Findings showed that stakeholders: (1) perceived most Western pedagogical characteristics as important but not viable; (2) expressed that preschools fostered children’s arts creativity to a moderate and low/null extent; (3) suggested strategies to maximize children’s arts creativity focusing on parental education and curricular amendments. This study reveals the need to better define the notion of creativity in Hong Kong. Copyright © 2023 AERA.

The potential impact of creative thinking and its contribution to successful arts practice has been argued over the last decade. Meanwhile, creative thinking has also been identified as making valuable contributions to arts and management. Cetinkaya (2014) and Kuo, Chen, and Hwang (2014) indicated that the application of creative thinking to management education is highly recommended, which needs to be developed through the learning process and still is a teaching challenge to date. This study implemented the project-based learning (PBL) approach as a treatment for tertiary arts education students over one academic year to examine its effect on their creative thinking disposition. Given this context, this study aimed to determine the improvement of creative thinking skills of art students through PBL in the arts management discipline. Consequently, the research question addressing the three dimensions is proposed and analyzed as to how they interact: creative thinking, project-based learning, and arts management education. Two theoretical frameworks were applied in this study: 1) the Creative Thinking Skills Development Framework from the Australian Council for Educational Research (ACER, 2020) and 2) the Essential Project Design Elements of PBLWorks (2015). The subjects were 52 art students from the Cultural and Creative Arts department at the Education University of Hong Kong. A qualitative approach was employed, while the data on students’ creative thinking skills were obtained from observations, interviews, and reflective journals. The results indicated that the integration of creative thinking and project-based learning could significantly uplift students’ learning outcomes in arts management education as they are in a complementary relationship. It provided opportunities for students in art management learning engagement and several areas of thinking skills development in relation to the current curricula objectives. Copyright © 2023 Association of Arts Administration

Music education is often regarded as an elite discipline in Chinese society, and pre-service teachers in early childhood education may lack musical knowledge and confidence in teaching music due to interdisciplinary teacher training. This study aims to explore the essential components of a quality responsive teacher education course in music for pre-service teachers in Hong Kong and evaluate the impact of six-hour training workshops on their self-perceived musical competence and music teaching confidence. The study employs a quasi-experimental research design and consists of six-hour training workshops in music to enhance pre-service teachers' musicianship and competence in conducting music appreciation, performance, and creative activities. This study answers two research questions based on the quantitative and qualitative data: (1) How will the training workshops impact pre-service teachers' self-perceived musical competence and music teaching confidence? (2) How will the musical competence enhance their music teaching confidence? The study employs a quasi-experimental research design and finds that the workshops significantly improve pre-service teachers' confidence in leading music activities and their perceived importance of children's music education. The study underscores the need for music training in early childhood teacher education and may offer insights into designing responsive music professional development courses for early childhood teachers globally. Copyright © 2023 ACE.

Music education is often considered an elite discipline in Chinese society, resulting in a lack of low confidence in teaching music among pre-service teachers in early childhood education. Additionally, teacher education programs in music often provide separate training in musicianship and pedagogical skills, leading to a gap between teachers’ beliefs and their teaching practices. This study aims to explore the components of a quality responsive teacher education course in music for pre-service teachers in Hong Kong. The study includes six-hour training workshops in music using a play-based approach to enhance pre-service teachers’ musicianship and competence in conducting music appreciation, performance, and creative activities. The study answers two research questions based on qualitative data: (1) How will the training workshops impact pre-service teachers’ self-perceived musical competence and music teaching confidence? (2) What are pre-service teachers’ perceptions of responsive teacher training courses in music? The study highlights the need for music training in early childhood teacher education and provides insights into designing a responsive music professional development course for early childhood teachers in the Chinese context. Copyright © 2023 AQIA.