We investigated the provision of musical activities in Hong Kong kindergartens and analysed potential differences among teachers with different levels of teaching experience. Using a self-designed survey, we asked 1,019 teachers how often they conducted 18 specific musical activities. Overall, we found that participants provided considerable music exposure to children. Advanced teachers (more than 15 years' experience) reported conducting more musical activities for children than Beginning teachers (less than 5 years). Principal component analysis revealed the existence of four components: Singing and Transitions (the most frequent); Movement, Technology and Thematic Activities; Sound Production; and Creativity and Self-expression (the least frequent). Teachers with varying teaching experience tend to focus on different musical activities in the classroom. Specifically, Beginning teachers reported to conduct significantly fewer musical creativity activities than Advanced teachers. We conclude that teaching experience is a crucial factor that affects the provision and types of musical activities conducted by kindergarten teachers. Findings May guide subsequent professional development efforts to better prepare kindergarten teachers with different profiles to achieve the learning objectives established in the curriculum framework. Copyright © 2024 Australian Society for Music Education.

This study aimed to (1) investigate the provision of physical activities in Hong Kong kindergartens across different grade levels and (2) examine the availability and utilization of venues in or near kindergartens for physical activities. We surveyed 526 hong Kong kindergarten teachers. Descriptive statistics and parametric statistical techniques (e.g. one-way ANOVA) were employed. Participants across all three grade levels reported implementing physical activities relatively infrequently (M = 2.47), with higher provision of unstructured physical activities involving low degrees of physical exertion and risk. However, K3 teachers (M = 2.55, SD =.45) were found to provide more physical activities than K1 teachers (M = 2.43, SD =.47, p =.033) and K2 teachers (M = 2.42, SD =.42, p =.030). Indoor venues were more commonly reported in or near kindergartens and were more frequently utilized for physical activities. In contrast, the availability and utilization of outdoor venues were limited. The results highlight the distance between internationally accepted physical activity guidelines and actual practices in Hong Kong kindergartens. We conclude that the limited opportunities for physical activities may not be enough for children to develop themselves optimally. Offering longer kindergarten programs and a wider range of easily accessible venues for physical activities would be vital to improving this situation. Copyright © 2024 Childhood Education International.

Online professional development (PD) can be a sustainable and easily scalable alternative to provide early childhood teachers with training opportunities. However, there is limited research on teachers’ levels of satisfaction and engagement in online PD initiatives. Understanding teachers’ levels of satisfaction and engagement is crucial, as these may influence the effectiveness of online PD in benefiting teachers and ultimately young children. This study aimed to examine Hong Kong kindergarten teachers’ satisfaction and engagement in a music-and-movement (M&M) online PD course. This study involved 56 participants who received an 11-week online PD course. Questionnaires were administered after course completion. Data were analyzed using descriptive statistics and t-tests. Participants had high levels of satisfaction with the course, particularly those with no or some M&M background, who were more satisfied with the course content and instruction. Participants had moderate-to-high levels of engagement in the course, particularly those with no or some M&M background, who were more emotionally engaged. We conclude that sustainable and easily scalable online PD initiatives can result in high levels of satisfaction and engagement among kindergarten teachers, especially those with limited M&M background. This study supports the idea that online PD can be responsive to teachers’ needs and preferences. Copyright © 2024 by the authors.

Fundamental movement skills (FMSs) are essential building blocks for children’s physical development and future participation in physical activities. While early childhood curriculum frameworks recognize the importance of teaching FMSs, little research has been conducted to explore actual teaching practices in center-based programs and their variations across different grade levels. The goals of this study were to investigate (1) the frequency of a variety of FMSs in the physical activities conducted by Hong Kong kindergarten teachers, (2) the association among these FMSs based on the frequency of use in the classroom, and (3) potential differences in FMSs across the three grade levels of kindergarten education in Hong Kong. The participants were 526 kindergarten teachers. Descriptive statistics, principal component analysis, and parametric statistical techniques (e.g., one-way ANOVA) were employed to analyze their responses to a survey, in which we asked teachers to report the frequency with which FMSs are involved in their classroom physical activities. Overall, we found that the participants practiced an imbalanced set of FMSs in classrooms. K3 teachers were found to incorporate a wider variety of FMSs into their physical activities compared to K1 and K2 teachers. Through principal component analysis, seven components of activities were identified. K3 teachers were found to implement more activities involving springing, object manipulation, uneven locomotor movements, and agility and coordination. We concluded that there is a need to provide structured opportunities for teachers to better facilitate children’s FMS acquisition. Offering more explicit guidelines and further professional development for teachers is crucial to enhancing this situation. Copyright © 2024 by the authors.

In 2017, Hong Kong included the notion of creativity in its official kindergarten curriculum framework. However, the curriculum did not define what creativity means in relation to 3- to 6-year-old children. Stakeholders such as teacher educators, kindergarten principals, and teachers may have different understandings of creativity, possibly leading to difficulties in implementing this notion into practice. We adopted Rhodes’ 4P model to examine Hong Kong kindergarten stakeholders’ definitions of creativity in relation to young children. We posed two research questions: (1) What are the themes and elements that Hong Kong kindergarten stakeholders refer to in their responses when defining the notion of creativity? (2) How do these stakeholders differ in their responses when defining this notion? We asked 50 kindergarten stakeholders (20 teacher educators, 10 principals, and 20 teachers) to define the notion of creativity using their own words. Content analysis, descriptive statistics, and multiple Fisher’s exact tests (2 × 2) were used to analyze their responses. We found that all stakeholders possessed a partial understanding of creativity, especially teachers. Stakeholders’ definitions mainly focused on the importance of creative processes. Other components such as the learning environment, the traits of a person, and the creation of products were rarely alluded to in their definitions. We conclude that there is an urgent need to explicitly articulate and conceptualize the notion of creativity in kindergarten curriculum frameworks, such as Hong Kong’s curriculum Guide. This would allow stakeholders to find common ground in the teaching and learning of creativity. Implications for the enhancement of creativity education are discussed. Copyright © 2024 Faculty of Education.

Arts and Creativity is one learning area of Hong Kong’s official kindergarten curriculum framework. Kindergarten teachers are expected to foster children’s creativity via four art forms: music, visual arts, dance, and drama. However, prior studies have investigated the provision of activities for each of the art forms in isolation and have not explored the demographic variables that predict teachers’ provision of arts education activities. Investigating the provision of the four art forms and its relationship with teachers’ demographics could provide an overview of the status of arts education in Hong Kong kindergartens. We had two research goals: (1) investigate the frequency with which kindergarten teachers conduct arts education activities focusing on music, visual arts, dance, and drama; (2) identify subgroups of teachers who differ regarding the provision of arts education activities and analyze how key demographic variables predict their memberships to these subgroups. We surveyed 477 teachers. Descriptive statistics, latent profile analysis, and multinomial logistic regression analysis were performed. We found that the presence of the four art forms was unbalanced. Participants reported conducting music and visual arts activities frequently, while dance and drama activities were occasionally or rarely conducted. Moreover, we identified three subgroups of teachers who provided arts education activities with different frequencies. Participants with a master’s degree and those who worked in government-funded kindergartens were more likely to be in the highest arts provision group. Findings suggest that the curriculum is not being implemented accurately, as teachers do not equally expose children to the four art forms. We interpret these findings as a reflection of teachers’ uneven preparation in the various art forms. Implications for educational policy regarding professional development are discussed. Copyright © 2024 Taylor & Francis Group, LLC.

In Hong Kong, quality assessors from the Education Bureau (EDB) visit kindergartens to conduct Quality Review (QR) assessments. Their written reports, therefore, reflect the official local perspective of quality kindergarten education. We conducted a content analysis of 323 QR reports focusing on the positive and negative feedback and recommendations for improvement regarding music education. Two coding schemes were developed using an inductive approach. High inter-reliability was obtained. The most frequently mentioned positive feedback codes were related to sufficient exposure to music and enjoyable musical learning experiences. In contrast, there were negative feedback codes pointing out that children’s musical exposure was insufficient at Kindergarten 3 (children aged 5–6 years), and some musical activities were poorly prepared and/or designed. Children’s music learning outcomes were rarely mentioned in the reports. The analyses indicate that the local understanding of kindergarten music education strongly emphasizes exposing children to enjoyable musical activities, with a lower focus on the nature and quality of musical learning. We conclude that the QR reports reflect a teacher-centric view of music education. Findings may inform curriculum designers and teacher educators about EDB’s expectations in the area of music education. Future research should explore the perspectives of other kindergarten stakeholders such as teachers, principals, and teacher educators. Copyright © 2024 by the authors.

Globalization has influenced preschool education in Hong Kong, where the official curriculum framework has integrated the Western notion of creativity with the arts. However, little is known about how local stakeholders perceive this notion and its viability in practice. We interviewed 50 stakeholders to understand their perspectives on the Arts and Creativity learning area. Descriptive statistics and thematic analysis were conducted. Findings showed that stakeholders: (1) perceived most Western pedagogical characteristics as important but not viable; (2) expressed that preschools fostered children’s arts creativity to a moderate and low/null extent; (3) suggested strategies to maximize children’s arts creativity focusing on parental education and curricular amendments. This study reveals the need to better define the notion of creativity in Hong Kong. Copyright © 2023 AERA.