A sample of 2,476 Grade 4 to 9 Chinese school children was tested with the new electronic Wallach-Kogan Creativity Tests. Among primary students, creativity scores rose from Grade 4 to 5 and then dropped from 5 to 6; and among secondary students, creativity scores rose from Grade 7 to 9. A drop from Grade 6 to 7 was also observed. Apart from these overall trends, different patterns of gender differences were found in primary and secondary grades. In Grade 4 to 6, boys scored higher than girls marginally on most creativity indexes. In Grade 7 and 8, girls excelled boys significantly on figural fluency, flexibility, uniqueness, and unusualness. In Grade 8, girls also scored higher on verbal flexibility. The gender differences were narrowed down again marginally in Grade 9.
[Copyright of Creativity Research Journal is the property of Lawrence Erlbaum Associates. Full article may be available at the publisher's website:
http://dx.doi.org/10.1080/10400419.2010.503543]

In recent years, the emphasis in second language (L2) oral proficiency assessment has shifted from linguistic accuracy to discourse strategies such as the ability to initiate, respond, and negotiate meaning. This has resulted in a growing interest in the discourse analysis of students' performance in different oral proficiency assessment formats. The study reported in this article represents an attempt to investigate students' discourse performance in L2 oral proficiency assessments conducted in the form of peer group interactions in Hong Kong. Forty-three female Hong Kong secondary students were involved. Findings from a qualitative discourse analysis of the students' interaction data supplemented with data from interviews and a questionnaire reveal the emergence of a test-task specific genre featuring recurrent frames of talk for task management, content delivery, and response giving. These frames were characterized by discourse features that seem to be ritualized, contrived, and colluded. Such interaction practices suggest a strong desire on the part of the students to maintain the impression of being effective interlocutors for scoring purposes rather than for authentic communication. Implications for test construct validity and the impact on the students' L2 oral proficiency development are discussed.
[Copyright of Language Assessment Quarterly is the property of Routledge. Full article may be available at the publisher's website: http://dx.doi.org/10.1080/15434300903473997]

This study investigated the connection between drawing skill and artistic creativity in relation to age groups and levels of artistic involvement among 223 Chinese primary, secondary, and university students in Hong Kong. Based on the fantasy drawing task, visual-artist judges made expert judgments on students' drawing skill and artistic creativity. There was substantial correlation between drawing skill and artistic creativity among children, adolescents, and young adults, even when artistic involvement was controlled in the partial correlation analyses. The results of correlational and regression analyses suggested that drawing skill contributed most significantly to the prediction of artistic creativity throughout the years at different stages of development, but artistic involvement became more important, especially in young adulthood. Implications of the findings on the skill-creativity relationship for arts education and the directions for future research are discussed.
[Copyright of Creativity Research Journal is the property of Lawrence Erlbaum Associates. Full article may be available at the publisher's website: http://dx.doi.org/10.1080/10400410903579528]