Many studies have found that the preschool curriculum in Hong Kong still reflects the influences of its social and cultural context that emphasises teacher-directed learning. Developing creativity in preschools requires teachers to change their familiar practices. A good understanding of teachers’ actual practices for facilitating creativity in the classroom is an important first step for educators dedicated to pedagogical change. This study aims to investigate the creativity-fostering pedagogy that teachers actually use in their classrooms to draw attention to the crucial aspects of effective creativity-fostering pedagogy in Hong Kong preschool settings. This study employed a qualitative research approach to explore and analyse the characteristic features of creativity-fostering practice in Hong Kong preschools with results presented in the form of case studies. Semi-structured interviews and classroom observations were used as data sources and content analysis was performed to examine the features and the effectiveness of teachers’ creativity-fostering pedagogical practices. Findings revealed that the three Chinese teachers held similar perspectives about creativity-fostering pedagogies and their perspectives were mainly rooted in Western pedagogies. However, the three cases demonstrated the different interpretation of these pedagogical perspectives, ranging from being strongly teacher-directed to strongly child-centred. A balance between teacher-directed and child-centred was found to be more effective pedagogic practice in the Chinese classroom. Results suggested that different creativity-fostering pedagogies might work for certain contexts and certain children and an awareness of both cultural and contextual appropriateness is important for creativity reform. Copyright © 2018 The Asian Conference on Education.

Hong Kong’s policy and curriculum guide advocates the development of creativity, and stresses the importance of child-centred and play-based practices in preschools. Effective pedagogical approaches for creativity reform should reflect a sociocultural perspective. This study aimed to compare the pedagogical effects of two teaching approaches, in a teacher-led, problem-solving activity. A case study research method was employed in a preschool setting. The Analysing Children’s Creative Thinking framework was used to document the creative thinking behaviours of two groups of six-year-old children in terms of exploration, involvement and enjoyment, and persistence. The results revealed that children in the teacher-guided approach exhibited more creative thinking behaviours than children in the hands-off approach. It was evident that Chinese children benefit when the level of choice is not overwhelming and learning occurs in a progressive way. The findings suggest that cultural and contextual appropriateness should be taken into consideration when promoting creativity in education. Copyright © 2018 Pedagogy, Culture & Society.

The promotion of creativity has come to be seen as a vital component in the development of a knowledge-based globalised society, and Hong Kong, like other countries around the world, has been responding to this challenge through a raft of educational policy reforms. However, despite the last ten years of policy reforms aimed at encouraging creativity, traditional teacher-centred didactic practices still dominate. This chapter will argue that before creativity can be promoted, it is essential to understand teachers' beliefs in relation to creativity and then to establish whether these beliefs are actualized in practice. Drawing on research that was undertaken within a number of Hong Kong early childhood settings, this chapter will exemplify how it became possible to utilize a Western-orientated pedagogical framework for creative practice (PFCP). Using examples of illustrative data, the chapter will draw out the complexities that surround the interrelationship between teachers' beliefs and practice whilst also foregrounding the necessity for the development of culturally and contextually appropriate pedagogies. The chapter suggests that because creative practice is complex, changing, and developmental, more effort is needed in searching for culturally and contextually appropriate pedagogies. This may involve some fusion of Chinese and Western creative pedagogies. Copyright © 2018 selection and editorial matter, Kerry J. Kennedy and John Chi-Kin Lee; individual chapters, the contributors.

Given the growing awareness of the importance of cultural-specific studies in creativity, the purpose of this study was to develop a rating scale (Creative personality Questionnaire, CPQ) to elicit Hong Kong Chinese preschool teachers' perceptions of creative personality and to determine the factor structure of the CPQ. Items for the CPQ were generated using literature search and interviews. Participants comprised of 564 Chinese preschool teachers. A series of exploratory and confirmatory factor analysis revealed a 20 items, five-factor model (cognitive abilities, discipline, motivation, inventiveness, personal properties) for the CPQ. While most of the personality characteristics in the CPQ were congruent with those suggested in the literature, characteristics relating to well mannered, honest, cautious, and need for recognition in the discipline domain reflects the influence of Chinese culture. The core creative personalities perceived by the Hong Kong Chinese preschool teachers were found to be similar and these characteristics generally aligned with the western views. This study expands the availability of reliable tools for assessing preschool teachers' perception of creative personality and leads to further studies on examining how the teachers' personality affects classroom practices and children's creative learning.
[Copyright © Pergamon Press].

This paper reports the experiences of using a pedagogical framework for creative practices (PFCP) to support preschool teachers in fostering children's creativity in their classrooms. The PFCP includes five pedagogical components: 1) motivation; 2) a divergent process of generating possibilities; 3) a convergent process of selecting ideas; 4) putting ideas into practice; and 5) evaluation. Eighteen teachers from six Hong Kong preschools participated in the study. According to the PFCP, each teacher developed six creative practices and implemented them in their classrooms. Individual semi-structured interviews were used elicit teachers' perceptions of the effectiveness of the PFCP and the changes of teachers' teaching pedagogy. The observations used as a source of evidence to illustrate teachers' actual teaching behaviours and children's creative performance. The results suggest that the PFCP was perceived as being effective in helping teachers improve their lesson planning and pedagogy. Positive effects such as enhancing teachers' knowledge and skills, infusing creativity into the various learning domains and shifting teaching practices from being strongly teacher centred to being more child centred were documented. This paper discusses the implications and suggests that the PFCP could serve as a starting point for teachers to explore their own creative-practice methods. Finally, the study should lead to further inquiry on effective creative practice teaching strategies.
[Copyright © Pergamon Press].

Assessment and evaluation are essential educational practice. In December 2003, a set of Performance Indicators on the Domain of Child Development (revised edition) was published by the Education Manpower Bureau and Social Welfare Department to assist preschools in Hong Kong to evaluate young children’s performance in learning and development. This paper outlines how a project conducted by the Hong Kong Institute of Education has empowered 15 Hong Kong preschools using Performance Indicators to formulate strategies for self-evaluation on the Domain of Child Development. Implications for successful change of the assessment culture in the preschoosl are discussed.
[Copyright © 2008 Hong Kong Institute of Educational Research. The journal website is located at http://www.fed.cuhk.edu.hk/en/pej/]

The purpose of this study was to examine the potential influential factors of secondary students’ attitudes toward physical education in Hong Kong. The Physical Education Questionnaire was completed by 1172 students which measured how physical education is perceived concerning the values, the status, the atmosphere, the experiences, the social aspects, the teaching method and the PE teachers. Mean ratings on these aspects from 3.43 to 3.92 on a 5-point scale, indicating that the students generally liked physical education, but they liked some aspects more that others. Employing analysis of variance techniques revealed that school year, gender and perceived skill competence were significant factors influencing students’ attitudes. These findings have pedagogical implications for the teaching strategies of physical education.