Humanities includes a diverse range of disciplines in which little literature has explored in any depth the desired learning outcomes. This study was designed to articulate and illustrate learning outcomes in the humanities from students' voices and work. Undergraduate students in their final year, postgraduate students and recent alumni from the Faculty of Arts at a Hong Kong university were interviewed individually or in groups of three to four. They discussed their desired and actual learning outcomes in three areas: the overall university experience, studying in the humanities and their studies in their specific majors. The students' comments were grouped into 16 categories of description. Seventy-three pieces of student work were collected and matched to the 16 categories to illustrate students' perceptions. A common set of qualities was found in all the humanities programs. From the data, knowledge is the most valued by humanities students, followed by rational thinking. Accomplishment and self-direction are relatively less mentioned. Further discussion is presented on how and why humanities students value different qualities, based on students voices interfaced with some relevant literature. The findings have been helpful in bringing the student voice into internal discussions about outcomes-based approaches to teaching and learning and how these approaches relate to internal quality-assurance and curriculum-change processes.
[Copyright of Higher Education Research & Development is the property of Routledge. Full article may be available at the publisher's website:
http://dx.doi.org/10.1080/07294360.2010.542558 ]

This longitudinal study (2001-09) of two Hong Kong secondary schools highlights six issues with an integrated arts curriculum: first, integration of knowledge and skills negatively precedes the integration of learners' construction of meaning; second, integration is perceived as challenging the profession's status; third, teachers are unaccustomed to co-teaching; fourth, teachers have little prior experience conceptualizing cross-discipline teaching and learning; fifth, Hong Kong's current systemwide education reform places arts integration as a relatively low priority; and sixth, because integrated arts curriculum implementation is not mandatory, the vagaries of individual school management create a plethora of integration approaches that confound the task of forging a common definition. Remedial recommendations include cascading "seed projects" to broaden teachers' views of integrated arts and teaching, facilitating supportive school timetabling, and sharing integrated learning outcomes in the individual schools.
[Copyright of Arts Education Policy Review is the property of Routledge. Full article may be available at the publisher's website:
http://dx.doi.org/10.1080/10632913.2012.687339 ]

This article reports the results of the first systematic, though only exploratory, study that assesses the effectiveness of the Philosophy for Children (commonly known as P4C) programme in promoting children's critical thinking in Hong Kong. Forty-two Secondary 1 students volunteered for this study, from whom 28 students were randomly selected and randomly assigned to 2 groups of 14 each: one receiving P4C lessons and the other receiving English lessons. The students who were taught P4C were found to show a greater improvement in the reasoning test performance than those who were not, to be capable of doing philosophy, and to have a positive attitude towards doing philosophy in the classroom. It was also found that P4C played a major role in developing the students' critical thinking, and that 10 crucial factors contributed to the success of the P4C programme.
[Copyright of Educational Research & Evaluation is the property of Routledge. Full article may be available at the publisher's website:
http://dx.doi.org/10.1080/13803611.2012.658669]

A collection of essays, edited by Lucy Green, offers case studies that center on the interface between learning, teaching, and musical identity (Indiana University Press, 2011). The papers examine the construct of identity in the context of musical education and musical practice of adults, adolescents, and children in places as varied as Australia, Bali, Brazil, Cyprus, Hong Kong, Iceland, the United Kingdom and the United States.
[Copyright of Ethnomusicology Forum is the property of Routledge. Full article may be available at the publisher's website:
http://dx.doi.org/10.1080/17411912.2012.675856]