This paper explores two current issues in the educational policies and practices of Hong Kong that have been shaped by the emergence of the nation-state and the return of Hong Kong's sovereignty from the UK to the People's Republic of China on 1 July 1997. Since this time there have been two great challenges facing music education. The first concerns how to incorporate diverse cultures, including Chinese music, into a Western-orientated music curriculum; and the second is to find a way to cultivate national identity and democracy through music education. The data presented here were collected via in-depth, semi-structured individual interviews with music teachers, school heads and assistant school heads across 40 primary and secondary schools between 2006 and 2007. The findings can be explained by referring to the shortcomings of multicultural education and the underdevelopment of democracy in Hong Kong's education system.
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This paper analyses, from a historical perspective, the implementation of civic education in Hong Kong secondary music education in the 1980s and 1990s. It attempts to explore the struggles between political ideology and civic education in the Hong Kong music education system from a non-musical perspective. The paper argues that the promotion of civic education in Hong Kong music education has been seen as a significant indicator for pursuing smooth social transitions. The singing of the national anthem of the People's Republic of China (PRC) is seen as a vehicle for cultivating political and civic values in school. Nevertheless, the findings of a questionnaire-survey on the perception of secondary music teachers show that the level of willingness with which they teach the PRC's anthem is not consistent with their comprehension of their national or communal commitment.
[Copyright of Music Education Research is the property of Routledge. Full article may be available at the publisher's website: http://dx.doi.org/10.1080/1461380990010205]