The aim of this qualitative study is to understand how children aged between three to four years of age acquire the identity of a “pre-school” student within a Chinese context. By drawing on Foucault’s work in relation to various related discourses, as well as Actor Network Theory (ANT), this ethnographic study also tries to appreciate the role and place of objects in terms of children becoming “preschoolers”.The fieldwork that underpins this study took place at three Hong Kong preschools. These schools were selected because of their differences, as well as their similarities, in terms of approaches in delivering the curriculum. Qualitative methods, including observations and interviews, were used to capture children’s interactions with one another, with adults, and, importantly, with objects. A journal was kept throughout the study period and this, together with photographs of classroom life, enabled me to critically reflect on the study, so as to make sense of the lived experiences of the preschool students.This study stems from the poststructuralism and posthumanism premise that there are no universal or absolute truths in relation to acquiring a preschool identity. As a consequence, there is no attempt to produce “findings” in a scientific sense. However, the study does add to our knowledge and understanding of the process by which children acquire a preschool identity, and explores the profound role that objects play within these processes.By drawing on two theoretical frameworks, I was able to make two significant moves. First, Foucault’s work enabled me to appreciate how children are disciplined and regulated into what constitutes the “normal” or “ideal” preschooler. Foucault also allowed me to recognize how children themselves can undertake three practices: “refusal”, “curiosity”, and “innovation”, so as to experience alternative modes of being.Second, ANT allowed me to appreciate that objects have agency and are therefore actors. As “lively matter”, objects