This study examines whether and how political party support shapes interpersonal political discussion. Drawing upon existing research, party support is hypothesized to lead to more frequent political discussion and lower levels of disagreement within discussion networks. Party support is also hypothesized to moderate the relationship between news consumption and discussion frequency and the relationship between discussion frequency and disagreement. The analysis further explores if the impact of party support varies according to the parties being supported. The hypotheses and research question were examined using data from representative surveys conducted in Hong Kong and Taiwan. The findings illustrate the importance of political party support in structuring citizens' interpersonal political discussions in the consolidated democracy of Taiwan and, though to a lesser extent, in the semi-democratic environment of Hong Kong. In Taiwan, the impact of discussion frequencies on disagreement in discussion network varies according to the party being supported. Implications of the findings are discussed..
[Copyright of Asian Journal of Communication is the property of Routledge. Full article may be available at the publisher's website:
http://dx.doi.org/10.1080/01292986.2013.827731]

Since the end of the 1980s in the NIE4 - Hong Kong, Taiwan, South Korea and Singapore - in Asia, progressive cultural and educational policies have developed along with tremendous economic growth, and a belief in the value of cultivating excellent human resources has provided the fertile ground to plant the seeds for Drama Education and Applied Theatre in schools and community settings. Drama Education and Applied Theatre projects have therefore been implemented in different ways and manners in different policy contexts and funding systems in the NIE4 either through government programmes or Non-governmental Organization (NGO) and civil organisations. They have developed in different directions as well as encountering different problems over 20 years. This essay aims to give a brief survey and investigation into these innovative imaginings and actions in the NIE4 and it ventures to present the issues and concerns that practitioners are seeking to ponder and solve. It also aims to explore the relationship between these praxes and the respective social, cultural and political changes in these areas and investigate the various responses and efficacy these praxes in Drama Education and Applied Theatre have done to their respective societies as well as investigate the challenges they posed to the existing social and educational orthodox ideologies.
[Copyright of Research in Drama Education: The Journal of Applied Theatre and Performance is the property of Routledge. Full article may be available at the publisher's website:
http://dx.doi.org/10.1080/13569783.2012.756182]