Growing evidence indicates that early exposure to music and movement (M&M) positively impacts young children’s self-regulation. However, little attention has been paid to what kindergarten teachers know and believe about the relationship between M&M and self-regulation, and even less to how teachers’ background in M&M relates to their knowledge and beliefs. This study investigates these topics using survey data from 306 Hong Kong kindergarten classroom teachers. Descriptive, correlation, and independent sample t-tests were conducted. Most teachers believed they possessed a high level of understanding on the topic, particularly those with M&M background. These participants held stronger beliefs that M&M fosters children’s self-regulation, specifically motor-coordination skills, impulse control, and emotional management. We conclude that kindergarten teachers’ knowledge of, and beliefs in the role of M&M to support children’s self-regulation are influenced by their own M&M background. Indeed, the more M&M activities teachers have been exposed to, the deeper their understandings on how M&M contributes to children’s self-regulatory skills. The main implication is the need to further expose kindergarten teachers to M&M learning experiences, be it formally or informally. Copyright © 2023 Authors.

In K-12 schools, classes are forced to transform online due to the class suspension amid the COVID-19 pandemic. Educators began to design alternative ways to conduct some meaningful learning activities for their students. However, not all subject disciplines could be easily transformed online, especially for those requiring much social interaction and creation processes. In this article, we explore the learning processes through learning Shubailan, a form of music folk-talk-singing, with a mobile instrument application called muyu in an online flipped classroom among 122 secondary school students in Hong Kong. The opportunities can encourage students to learn music theories and instruments about Shubailan, and create a Shubailan piece through 6-lesson music learning. To gain more online face-to-face time for collaboration, flipping the online classroom is adopted in this study to engage students in lesson preparations via preassigned recorded videos and collaborative activities during face-to-face online lessons. In this study, a mixed research method was employed with the use of a learning satisfaction survey, teachers’ observations and semi-structured interviews. We found that this strategy could effectively motivate students to learn music and improve their music knowledge in Shubailan. This article presents evidence of implementing the online flipped classroom approach to enhance students’ satisfaction and knowledge acquisition throughout Shubailan music making processes, and offers recommendations for online music educators. Results provide a set of innovative pedagogical approaches to teach music in an online alternative mode during the difficult times. Copyright © 2022 Springer.

For performing arts education, Sage on the stage and Learn from the Masters were halted by the COVID-19 pandemic, and so did everything else. All lectures, tutorials and other face-to-face skill-based training sections were cancelled and were replaced by the online model. Such a model was only seen as one of the supplementary components for performing arts education in the past. From January 2020, this online pedagogy was inevitably placed to surmount the challenges caused by the COVID-19 pandemic. The social distancing measures demanded the blended pedagogy into a new online approach, in which the traditional face-to-face teaching to be replaced by synchronous online learning (facilitated by technologies such as Zoom, Cisco Webex, Google Class, Panopto etc.). Meanwhile, to offer opportunities for cognitive participation which allows students to process the learning and be reflective, webinar and innovative performance projects were launched from the concept of ‘flipped classroom and outcome-based education.’ This mixed approach (blended learning, flipped classroom, and outcome-based education) is described as ‘hybrid learning’ in this study.The ‘hybrid learning’ pedagogy is implemented at the Hong Kong Academy for Performing Arts (HKAPA) for all teaching activities in the 2nd semester 2020/2021 to overcome the challenges caused by the COVID-19 pandemic. A questionnaire survey about how it affected the performing arts education, and how the new pedagogy was implemented took place in July 2020. The survey results from both the teachers (76) and students (163) share lessons, insights, and new understandings on teaching and learning online. Hybrid learning has been widely investigated and researched, yet study on hybrid learning in performing arts such as creative art, theatre art and music, remains insufficient. This study fills the research gap. Copyright © 2021 Springer Nature B.V.

The purpose of this study was to explore how instrumental teachers reflect their professional development pathways with reference to their own apprenticeship experiences. The participants were three female instrumental teachers who taught the piano and violin. Reflections of teachers’ own learning experiences on their career pathways and professional development were collected from the participants through interviews, teaching diaries, and field notes. Several themes emerged from the data collected over an approximately six-month period. First, all the participants experienced long musical apprenticeships. Second, the teachers rarely perceived pedagogical skills are ‘learnable’ skills as performing skills. Finally, all the teachers were only interested in practical, examination-oriented professional development programmes, as opposed to academic or pedagogically-oriented outcomes such as journals or conferences. The unitisation of professional development choices would appear to be the most urgent and pressing problem faced by instrumental teachers. Copyright © 2021 Informa UK Limited, trading as Taylor & Francis Group.

Transmitting traditional music for sustainability has been a common theme in global music education. Recently, the school systems of Hong Kong and Guangdong have been encouraged by governmental authorities to teach Cantonese opera aiming at enhancing the sustainability of the genre and promote a Chinese cultural identity within students. This paper details a survey of school music teachers working in Hong Kong and Guangdong examining the current state of Cantonese opera teaching in the schools of both regions and investigate how it is affected by teacher variables including their interest in Chinese opera, the confidence in teaching the subject, and their perceptions of their Chinese cultural identities. A total of 1,974 valid questionnaires were received and examined. Descriptive and inferential statistics including MANOVA and chi-square tests were used to analyze the data. Findings reveal that Cantonese opera teaching is limited in both regions. While teachers are modestly interested, confident, and knowledgeable about teaching the genre, there is a significant relationship between the music backgrounds of teachers and their interest in Cantonese opera. The article discusses the findings within the context of a historical predominance of Western music within music education curricula and wider societies. Implications for policy makers are proposed. Copyright © 2021 Taylor & Francis Group, LLC.

Many Christians are worried about the Old Testament portraying God as violent and commanding people to kill others or commit genocide. This study conducted a survey of Sunday school and seminary teachers to obtain their opinions about the ethical and theological challenges of these problematic texts, with the goal of identifying which perspectives and approaches to God’s violence tend to be adopted by Bible teachers in Hong Kong in their training classes. This study included a questionnaire survey of 300 respondents and interviews with 40 selected interviewees. The results identified different approaches to divine violence, related to those proposed by Eric A. Seibert. Then, the researcher analysed the approaches, perceptions, thoughts, and ideas of the different teachers, and their willingness and reluctance to discuss divine violence in their training classes. The survey responses yielded insights into how to approach and interpret such problematic texts in the Bible. Moreover, they offered pedagogical suggestions on how to teach about divine violence, as well as discussing the actual nature of God and the ethical framework for His divine action. The conclusion of the study is that no matter how people interpret these problematic Scriptures, which describe God’s violent behaviour, Christians and non-Christians should no longer use violence to injure others or justify their violent behaviour in society. Instead, mutual communication between Christians and non-Christians should be encouraged. All rights reserved.

This pilot study investigates the impact of using mobile devices to facilitate the practising of scales and arpeggios. The AI application was designed by an engineer/musician in Hong Kong. This AI application enables students to practise, record themselves, view their mistakes and prepare for examinations based on the Associated Board of the Royal Schools of Music’s scales and arpeggios syllabus for five instruments (violin, flute, clarinet, trumpet and saxophone). This study (a) examines the progress of learners who use the application to practise scales and arpeggios; (b) observes how elementary learners perceive mobile practising in a virtual learning environment and (c) proposes a blended learning model that uses mobile practising with the support of AI. Copyright © 2020 The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Singapore Pte Ltd.