This study explores how Hong Kong’s latest Chinese history curriculum hybridizes Romantic and Enlightened approaches and how that hybridization converges with/diverges from mainland China’s, given the two societies’ increased integration in the People’s Republic of China. Data were drawn from Hong Kong’s and mainland China’s latest junior-secondary Chinese history curricula policies and textbooks and Hong Kong’s earlier curriculum. Despite approaching mainland China’s Chinese history in curriculum structure and promoting China as a unified multi-ethnic nation, Hong Kong’s latest history curriculum retains its earlier orientation towards the Communist Party of China and the Enlightened approach. Hong Kong’s junior-secondary Chinese history curricula try to balance Romantic and Enlightened approaches, while mainland China’s symbolically promotes and selectively uses the latter to serve the former. Theoretical and practical implications and directions for future study are provided. Copyright ©2024 Routledge.

A growing number of studies have explored the ways how teachers contingently respond to students' unexpected responses or a lack of student responses in second language classrooms. From a sociocultural perspective, teacher contingency involves a departure from the lesson plan in local response to the unexpected or unforeseeable actions in the classroom interactions (van Lier, 2001). This study adopts translanguaging as an analytical perspective in order to examine how a teacher employs various resources to contingently respond to students' initiatives and reformulate his utterances in order to prompt student participation. The data are based on a larger linguistic ethnographic project in a Hong Kong English-Medium-Instruction secondary history classroom. This paper reconceptualizes the notion of teacher contingency and argues that the process of how the teacher contingently responds to the unexpected outcomes that arise in real-time interactions is a process of translanguaging. Such a process requires the teacher in orchestrating the available linguistic and multimodal resources to construct pedagogical actions on the spot, instead of being planned in advance. Copyright ©2024 Oxford University Press.

This study explores the narration of China as a nation in history education in two regions – mainland China and Hong Kong – that share cultural roots but different socio-political contexts. Inductive analysis of data from junior-secondary Chinese history textbooks used in the regions in the late 2010s revealed that whereas mainland China’s textbooks constructed China as a nation by stressing its constitutive territory and ethnic inclusiveness, Hong Kong’s highlighted its constitutive ethnicity and changing territory, more frequently and directly narrated interethnic conflicts, and more explicitly promoted Han superiority. The study proposes constructing the nation in history education as a contextualised and socio-political exercise of reinterpreting the past to reflect current contexts and needs. Copyright ©2024 Routledge.

In the past, visual arts education in Hong Kong was not considered an important area of early childhood education. While the Hong Kong kindergarten curriculum has recently been updated to encourage creativity, there remains a lack of adequate visual arts education for young children. This deficiency stems from the fact that the visual arts receive minimal attention within Hong Kong teacher education programs. Little research has been conducted on how visual arts education is actually delivered in local kindergarten classrooms in Hong Kong and what kinds of artistic knowledge and skills kindergarten teachers need. Therefore, this study aimed to investigate kindergarten teachers' content knowledge and pedagogical content knowledge in early visual arts education (EVAE) and to identify the challenges they faced in teaching visual arts to children. The study surveyed 342 in-service kindergarten teachers in Hong Kong and conducted individual interviews with 12 participants. The findings revealed that Hong Kong kindergarten teachers generally performed well in terms of their pedagogical content knowledge, but they lacked content knowledge in various forms of early visual arts (EVA) and faced challenges in teaching visual arts effectively. This study has the potential to change how early childhood visual arts teaching is conceptualized and taught in Hong Kong and other Asian regions. Copyright ©2025 Springer.

Early exposure to quality musical activities benefits children’s holistic development and learning. It is, therefore, crucial to ensure kindergarten teachers can provide such activities for children. In Hong Kong, the Education Bureau (EDB) designed the Kindergarten Education Curriculum Guide (Curriculum Development Council, 2017). While music is included as a subdomain in the official curriculum, with specific learning objectives and expectations for children, there is a dearth of research on the musical activity types kindergarten teachers conduct in practice. Similarly, no research has been conducted to explore the perspectives of local kindergarten stakeholders (e.g., quality assessors) on quality music education. Investigating these topics is vital to guide subsequent professional development (PD) efforts in kindergartens.This dissertation portfolio draws on Campbell and Scott-Kassner (2019)’s theoretical framework of quality music education in early childhood. The overall objective was to explore the provision and types of musical activities in Hong Kong kindergartens and stakeholders’ perspectives on quality musical practices. This dissertation comprises three empirical studies. Study 1 was a large-scale survey study with kindergarten teachers (n = 1,019), investigating the provision of musical activities in kindergartens and the potential differences in musical activities among teachers with different teaching experience. Descriptive, non-parametric, and parametric statistical analyses were performed. Study 2 was a content analysis exploring the types of musical activities mentioned in 164 Quality Review (QR) reports published by the EDB. Data was analyzed using descriptive statistical analyses, word frequency, and co-occurrence analyses. Study 3 was a content analysis of 323 QR reports, exploring the positive and negative feedback and recommendations for improvement regarding music pedagogical practices mentioned by quality assessors in the reports. Data was

We investigated the provision of musical activities in Hong Kong kindergartens and analysed potential differences among teachers with different levels of teaching experience. Using a self-designed survey, we asked 1,019 teachers how often they conducted 18 specific musical activities. Overall, we found that participants provided considerable music exposure to children. Advanced teachers (more than 15 years' experience) reported conducting more musical activities for children than Beginning teachers (less than 5 years). Principal component analysis revealed the existence of four components: Singing and Transitions (the most frequent); Movement, Technology and Thematic Activities; Sound Production; and Creativity and Self-expression (the least frequent). Teachers with varying teaching experience tend to focus on different musical activities in the classroom. Specifically, Beginning teachers reported to conduct significantly fewer musical creativity activities than Advanced teachers. We conclude that teaching experience is a crucial factor that affects the provision and types of musical activities conducted by kindergarten teachers. Findings May guide subsequent professional development efforts to better prepare kindergarten teachers with different profiles to achieve the learning objectives established in the curriculum framework. Copyright © 2024 Australian Society for Music Education.

Arts and Creativity is one learning area of Hong Kong’s official kindergarten curriculum framework. Kindergarten teachers are expected to foster children’s creativity via four art forms: music, visual arts, dance, and drama. However, prior studies have investigated the provision of activities for each of the art forms in isolation and have not explored the demographic variables that predict teachers’ provision of arts education activities. Investigating the provision of the four art forms and its relationship with teachers’ demographics could provide an overview of the status of arts education in Hong Kong kindergartens. We had two research goals: (1) investigate the frequency with which kindergarten teachers conduct arts education activities focusing on music, visual arts, dance, and drama; (2) identify subgroups of teachers who differ regarding the provision of arts education activities and analyze how key demographic variables predict their memberships to these subgroups. We surveyed 477 teachers. Descriptive statistics, latent profile analysis, and multinomial logistic regression analysis were performed. We found that the presence of the four art forms was unbalanced. Participants reported conducting music and visual arts activities frequently, while dance and drama activities were occasionally or rarely conducted. Moreover, we identified three subgroups of teachers who provided arts education activities with different frequencies. Participants with a master’s degree and those who worked in government-funded kindergartens were more likely to be in the highest arts provision group. Findings suggest that the curriculum is not being implemented accurately, as teachers do not equally expose children to the four art forms. We interpret these findings as a reflection of teachers’ uneven preparation in the various art forms. Implications for educational policy regarding professional development are discussed. Copyright © 2024 Taylor & Francis Group, LLC.