This study explores how students in Hong Kong perceive the influence of parental support and parental cultural capital on their participation in musical activities. A survey questionnaire was distributed to students attending grades seven to nine at eight Hong Kong secondary schools in the early summer of 2015. The findings from that survey, based on the 1,433 valid questionnaires that were returned, show that parents' cultural background informed their support of their children's musical activities, and could, in turn, enhance cultivation of students' cultural capital. Students in the study also perceived parental encouragement to be more important to their musical activities than the possession of musical competence and knowledge. This study provides a nuanced perspective on the interplay between parental cultural capital and parental support, and students' perception of the influence of parental support on their participation in musical activities in the Hong Kong context. Copyright © 2016 The Hong Kong Federation of Youth Groups.

The relationship between individuals' possession of cultural capital and their musical preferences has been extensively examined in Western society; however, little attention has been given to it in contemporary Chinese contexts. Based on Bourdieu's (1973, 1986) concept of cultural capital, this study focuses on junior secondary school students' (Grades Seven to Nine) preferred musical listening styles, and their perception of how their parents' and their own cultural capital have shaped their musical preferences in contemporary Hong Kong society. Two research questions are addressed: (1) How does parental cultural capital influence students' cultural capital? (2) To what extent does students' cultural capital shape their musical preferences in contemporary Hong Kong society? A survey questionnaire was distributed to nine Hong Kong secondary schools in the summer of 2015, followed by an interview survey conducted in the spring of 2016. Based on a synthesis of the 1,614 completed questionnaires and 28 in-depth individual interviews, the quantitative and qualitative findings provide nuanced insights into students' perceptions of their musical preferences, and how one's cultural capital shapes one's musical preferences, in a Hong Kong context. This study finds that the students' music listening not only served as an aesthetic and leisure activity, but also as a means of inculcating cultural capital-proficiency of English-that is legitimate in Hong Kong and deemed an influential factor in school performance. The study also shows that through technological advancements, more specifically a readilyavailable platform for accessing comprehensive musical resource databases, a new factor has emerged that weakens the relationship between familial social status and students' musical preferences and leads to more autonomous music listening behaviour. In addition, students' musical cultural capital, which is transformed from their parents' cultural capital, may directly and explicitly

The influence of social factors on individuals' musical preferences has been extensively examined in Western society; however, little attention has been given to social influences on students' musical preferences in the Chinese context. With reference to Hong Kong, China, this study focuses on junior secondary school students' (Grades Seven to Nine) preferred musical listening styles, and how different social factors have shaped their musical preferences in contemporary Hong Kong society. Given its British colonial history, Hong Kong is renowned for its blend of Eastern and Western cultures, and its historical and cultural backgrounds may be reflected in its students' musical preferences. Two research questions are addressed in this chapter: (1) How do students perceive their musical preferences in their daily lives? (2) What are the social factors influencing students' musical preferences in Hong Kong society? A survey questionnaire was distributed to nine Hong Kong secondary schools in the summer of 2015. Based on a synthesis of the 1,614 completed questionnaires, the quantitative findings provide nuanced insights into students' perceptions of their musical preferences, and how social influences have shaped their musical preferences, in the Hong Kong context. The study found that social factors - language proficiency, family socialization, and technological advancement - significantly shaped students' musical preferences, which, to some extent, reflected the social values in contemporary Hong Kong. Moreover, this study showed that music listening not only served as an aesthetic and leisure activity, but also as a means of socialization, while advanced technology influenced students' music listening behavior by providing a readily-available platform for accessing huge musical resources. Copyright © 2018 by Nova Science Publishers, Inc. All rights reserved.