Despite the ongoing global financial crisis, there is an increasing deployment of migrant workers across the globe, and in Hong Kong the foreign domestic worker occupies a ubiquitous presence in the lives of many families. Seven domestic workers from Indonesia, the Philippines, and Thailand were interviewed to gain insight into their role in providing education and care for children in Hong Kong. This exploratory study focuses on the educational and care aspects of the work of foreign domestic workers. It considers the nature of their work and their relationship with the mother of the family. Findings reveal the difficulties of maintaining coordinated education and care of children in a culture where the dynamics of the unequal power relations are clearly demarcated. We raise new possibilities for interdisciplinary work to re-theorise the ways in which foreign domestic workers act as educators of young children and we call for new methodologies to enable their potential.
[Copyright of Globalisation, Societies & Education is the property of Routledge. Full article may be available at the publisher's website:
http://dx.doi.org/10.1080/14767724.2013.807079]

This paper sets out to queer education's normative human-centric assumptions and to de-centre the straight and narrow vision of the child as only ever becoming an autonomous individual learner. It re-focuses upon the more-than-human learning that takes place when we pay attention to queerer aspects of children's, as well as our own, entangled becomings in the common worlds in which we live. In this case, the entangled becomings are those of children and dogs. Drawing upon Donna Haraway's notion of 'queer worlding' and Karen Barad's assertion of 'nature's queer performativity', the authors explore how we might go about 'queer worlding' childhood. Using deconstructive and diffractive methods, they trace a selection of entangled child-dog events across three sites: the streets of Hong Kong; an Australian early childhood education bush setting; and an exhibition in a Swedish art museum. Through narrating some of the more disconcerting aspects of these events, the authors reveal how we might tap into the 'queer worlding' ways in which the world is acting on us, even as we are acting on it.
[Copyright of Discourse is the property of Routledge. Full article may be available at the publisher's website:
http://dx.doi.org/10.1080/01596306.2014.888842]