Educational reforms and curriculum changes are no strangers to the educational sector of Hong Kong. Every time, changes are accompanied by new aspirations. The abandonment of the old and taking up the new ideals are not always smooth and effective. There is usually a shift of emphasis on the aims of education as in the case of the primary music curriculum in Hong Kong in the last few decades. The two earliest official music syllabi issued by the Education Department in 1968 and 1976 reveal both the changes and continuity in the concept of the music curriculum. In this chapter, the author critically analyze these two syllabi to find out the principles of music education expressed explicitly and implicitly in them in the light of influential factors, such as the historical development and contemporary thoughts about music education. Basing the findings, recommendations are drawn for the music educators and researchers for their future practice. All future educational reforms should take care to fill the gap between the intended and implemented curriculum, so that the avenue leading us to our intended ideals can be clear and through.
[Copyright © 2000 The Hong Kong Institute of Education.]

The objective of the study is to investigate various factors affecting the effectiveness of a music program at secondary school in Hong Kong. Two secondary schools are involved in the investigation. The principals, the music teachers, and the students are being interviewed separately with different sets of questions. In-depth questions concerning the rationale are being considered. The data collected are analyzed and findings of the key factors affecting the effectiveness of a music program include the leadership of the principal, the vision and involvement of the music teacher, as well as the management skill of both the principal and music teacher involved in complicated situations. It is, therefore, concluded that education of the principal and music teacher, which forms the two key factors effecting the effectiveness of a music program, should include also studies in management and leadership courses in addition to their own professional training. Furthermore, team work, availability of extra facilities, collaboration among colleagues of different subject areas, and many other interrelated elements are also essential factors for a successful music program.

Whilst institute-school partnerships have been investigated extensively as potentially valuable routes for the professional preparations of student teachers (Booth, Furling and Wilkin, 1990; McCullough and Fidler, 1994), considerably less is known as to how co-operating teachers/ teaching advisers process their roles and the nature of effect of their dynamic relationships with student teachers on their own professional lives. This paper attempts to present the voices of four teaching advisers who participated in the Honorary Teaching Adviser Scheme of an initial teacher education programme in Hong Kong. Data collected through semi-structured interviews, lesson observations, and post-observation conferences present a general picture of the challenges and promises of the Scheme as perceived by the teaching advisers on their own professional growth. Findings point to the need for re- envisioning the full potential of mentoring in teacher preparation and continuing professional development. Data from a previous study will also be contrasted to illustrate teachers' progression from resistance to readiness to assume an expanding role in teacher preparation. The paper will conclude with suggestions for fostering an effective and productive professional learning experience for both student teachers and teaching advisers.

Current issue of education reform advocated by the Hong Kong Special Administrative Region Government has induced numerous discussions within the education sector and the community at large. Music, being one of the long established cultural subjects in the secondary school curriculum, is also under rigorous discussion. The purpose of this chapter is to have an investigation of the past two music syllabi for junior secondary schools (published in 1975 and 1983) in order to collect and analyze data for support of reform. Changes and differences between the two syllabi are analyzed in order to have an understanding of the development of the trend of thinking of the colonial government in the pre-1997 era, of which concerns music education in Hong Kong. In order to have a reference point for the review of the two syllabi, curricula of the three frontier countries, including England, Australia, and the United States, are being examined. Common criteria and standard of these three curricula are summed up and used as guidelines to investigate the two Hong Kong music syllabi. Implications for future reform of the current music syllabus are discussed for the better future of the teaching content and standard of achievement in music in junior secondary schools in Hong Kong.
[Copyright © 2000 The Hong Kong Institute of Education.]

The development of institute-school partnership to facilitate the implementation of the field-based component of initial teacher education programme has been a dominant theme in teacher education. This paper outlines the development of the Honorary Teaching Adviser Scheme of an initial teacher education programme for cultural and technology subject teachers of secondary schools in Hong Kong. It presents the process of how inputs from a cross-section of stakeholders are integrated in the development of the Scheme. The integration is done through consultation and collaboration between the teacher education institution and the school community. Consulting different groups of stakeholders lays the ground for the introduction of the Scheme. The stakeholders include academics from different departments of the teacher education institution, academics from local and overseas higher education institutions as well as principals and teachers of the school community. Collaboration is done through inviting members of the school community to work on piloting the Scheme before its full implementation. Insights gained from consultation and piloting the Scheme inform its further development. The attempts on consultation and collaboration represent a move from a unidimensional model of institute-school partnership to some form of complementarity (Bines & Welton, 1995). Such development involves a complex process of managing change and redefining roles and responsibilities of higher education and school personnel in initial teacher education.

At the beginning of the third millennium, education reforms come to a forefront in both China and Hong Kong. The two regions had undergone different political systems in the past: various parts of China have been under the influences of different countries since the mid-nineteenth century and became a communist country since 1949; while Hong Kong was a British colony from 1842-1997. Both experienced Western influences in culture and education, and currently are facing challenges of globalization with regard to educating their future generations. This paper focuses on the development of music education in relation to traditional Chinese music in China and Hong Kong in the past century, and examines the recent music curriculum changes in China in order to establish a direction for the ongoing music education reform in Hong Kong. The study pinpoints the rationale for the study, the historical aspect and impact on music education in China and Hong Kong, the ongoing reforms on music education in both regions, and recommends a direction for a possible change in the music curriculum in Hong Kong. The suggestions could also be adapted for change in other Asian countries.
[Copyright © 2003 The Hong Kong Institute of Education.]

The purpose of the study is to identify the rationales and notions for music education in Hong Kong and China. This study investigates the practice of music education in Hong Kong and China under the impacts of Westernisation and colonization particularly since the late 19th century. It also highlights the features of music education, and current issues in education in Hong Kong and China with regard to the two recently issued music curricula. The curricula reveal various resemblances and differences in the design of the music curricula, which bring to light recommendations that could be shared among other countries.

In the Education Reform in Hong Kong, music is a discipline of study within the Art Education Key Learning Area. The music curriculum for primary and secondary schools takes on new considerations both in content and in implementation. Up to the present, the reform has been in place for over two years being introduced in 2000. The success of the implementation is governed by the contributions of various stakeholders including the schools, public bodies rendering educational services and supports and the education policy makers of the Government of Hong Kong SAR. A brief review of the state-of-the-art in schools will be presented, followed by an overview of the development of the music curriculum guide by the Curriculum Development Councial Committee on Art Education Hong Kong Special Administrative Region; a document which is currently in its final stage of consultation. The merits of the guideline and the possible challenges to music teachers in schools will be discussed. The new insights in the provision of music in primary and secondary schools requires a refreshing of music teacher education programmes, including those offered at Hong Kong Institute of Education.