Hong Kong’s policy and curriculum guide advocates the development of creativity, and stresses the importance of child-centred and play-based practices in preschools. Effective pedagogical approaches for creativity reform should reflect a sociocultural perspective. This study aimed to compare the pedagogical effects of two teaching approaches, in a teacher-led, problem-solving activity. A case study research method was employed in a preschool setting. The Analysing Children’s Creative Thinking framework was used to document the creative thinking behaviours of two groups of six-year-old children in terms of exploration, involvement and enjoyment, and persistence. The results revealed that children in the teacher-guided approach exhibited more creative thinking behaviours than children in the hands-off approach. It was evident that Chinese children benefit when the level of choice is not overwhelming and learning occurs in a progressive way. The findings suggest that cultural and contextual appropriateness should be taken into consideration when promoting creativity in education. Copyright © 2018 Pedagogy, Culture & Society.

In this paper, drawing on Bakhtin's carnival theory, I argue that teachers can play a transgressive role - similar to that of the carnival fool - by taking on a story role and by interacting with the children in the drama convention of Teacher-in-Role. The carnival notion of 'decrowning-crowning' allows me to understand how the teachers disguise and share their power in the drama classroom. Based on a lesson conducted in a Hong Kong kindergarten, I investigate how the teachers and the children's acting bodies, exaggerated emotions and transgressive props can materialise 'decrowning-crowning' actions. In the process, the teachers decrown themselves of their own authority, parody the given story and at the same time, crown the children to laugh, feel, respond and act freely. However, the mainstream ideology and educational culture prevailing in Hong Kong can regress in the process and serve to restrict, if not counterfeit, the decrowning-crowning process.
[Copyright © 2017 Pedagogy, Culture & Society.]

This longitudinal study investigates how in-service study abroad can improve the professional skills of teachers in regard to the strategies and attitudes they use to better motivate their students to learn English. The subject of this study is an in-service English as a Foreign Language (EFL) teacher from China who undertook a one-year teacher training course in Hong Kong and Australia, including taught modules, school attachment and teaching practicum. A series of interviews and classroom observations were conducted as the course progressed in order to collect the participant's views and practical strategies she plans to employ to enhance student motivation. Benefits of the one-year overseas training course are that the participant has become more sensitive to individual student potential, can more effectively tailor relevant teaching approaches to students' levels of understanding and will better comprehend that a teacher is of critical importance in motivating students to learn English. These three benefits, it is argued, will not only make the teacher more effective, but also tend to further draw out the potential in each student, resulting in better student performance.
[Copyright © 2016 Pedagogy, Culture & Society.]

This article reports the results of a one-year longitudinal study examining a teaching intervention designed to enhance students' learning of critical thinking in Hong Kong. Seventy participating students (age 16-18) learned how to make reasoned arguments through a series of collaborative activities, including critical-thinking modelling tasks and group debate. Of particular interest was the role of Chinese traditional values in the students' perceptions of ground rules and the potential influence those rules had on their learning of critical thinking in debate-type discussions. The findings show that Confucian beliefs, such as Li (ritual, 禮) and Chi (shame or 'face disgrace', 恥), do influence Chinese students' understanding of ground rules. Follow-up analysis revealed positive correlations between the establishment of these rules and students' demonstration of critical-thinking abilities. The results thus refute previous scholars' criticism of the use of ground rules in classroom talk.
[Copyright of Pedagogy, Culture & Society is the property of Routledge. Full article may be available at the publisher's website:
http://dx.doi.org/10.1080/14681366.2014.899611]

Schooling has been the main approach for transmitting knowledge and skills in both Eastern and Western cultures. The conservatory, for instance, has been the main cradle of great musicians. However, traditional folk arts in the East relied on apprenticeship using an oral approach for transmission. Applying Lave and Wenger's theory of legitimate peripheral participation as a theoretical framework, this article reports an interview study with five Cantonese opera artists in Hong Kong, all of whom have previously served and led apprenticeships. It was evident that the master artists took on limited numbers of apprentices for the purposes of transmitting personal artistry rather than monetary benefit. The master and the apprentice build up a quasi-parental relationship while the apprentice was regarded as a family member of the field. This study supplements the aforementioned theoretical framework with the Chinese cultural element of family ethics which may imply an application of apprenticeship in artistic and non-artistic transmissions through schooling.
[Copyright of Pedagogy, Culture & Society is the property of Routledge. Full article may be available at the publisher's website:
http://dx.doi.org/10.1080/14681366.2014.922604]

This paper aims at describing and explaining how drama pedagogy is appropriated in Chinese language classrooms in Hong Kong. Drawing on the theories of dialogue and appropriation of Mikhail Bakhtin, the research shows that the dialogicality of drama in Hong Kong's classrooms is conditional, and therefore deviant from the conventional as conceptualised and described in the major literature. A spectrum of the appropriation of drama pedagogy in language classrooms in Hong Kong is developed and discussed. At one end of the spectrum, there is still the domination of the teacher's monologic input of official knowledge and skills; at the other end, destabilisation of the centrality of the text and the authoritarian role of the teacher is identified suggesting alteration in the classroom communication routine, and even the opening of the drama world. This spectrum illustrates how the teachers waver between persisting with monologue and embracing dialogue, the result of which is the development of a hybrid approach to appropriate drama pedagogy.
[Copyright of Pedagogy, Culture & Society is the property of Routledge. Full article may be available at the publisher's website:
http://dx.doi.org/10.1080/14681366.2010.505717]

Hong Kong is embarking on curricular and pedagogic reforms which replace modernist, Tylerian approaches to the curriculum with recommendations that echo many features of complexity theory. The nature of complexity theory-based curricula are outlined, and these are used to interrogate three seminal curriculum reform documents in Hong Kong. The article suggests that they embody a paradigm shift in curriculum thinking. However, given that complexity theory is not without its problems for curricula, a case is made for an eclectic approach to curriculum planning, and it is this that is taking place in Hong Kong's reformist agenda.
[Copyright of Pedagogy, Culture & Society is the property of Routledge. Full article may be available at the publisher's website:
http://dx.doi.org/10.1080/14681360300200174]