This article draws on a longitudinal study of four Chinese students' English learning experiences during their college years and explores the ways in which EFL learning has influenced their sense of national identity. The study captures the changes they have experienced in constructing identities over a prolonged period in the context of mainland China where strong sense of national identity has been historically promoted and where there is currently unprecedentedly close interaction between local cultures and western cultures. Drawing on interviews and diary studies as the primary data source, this study identifies a three-stage development in the national identities of the college students that proceeds from initial admiration of English-speaking cultures, to antagonism towards alien things, before then reaching a stage of conciliation between the national and the global. The findings suggest that China's deeply-rooted culture of collectivism and altruism plays a role in shaping English learners' national identity and that the learners also demonstrate considerable agency in constructing national identities at different stages of English learning.
[Copyright of Changing English: Studies in Culture & Education is the property of Routledge. Full article may be available at the publisher's website:
http://dx.doi.org/10.1080/13586840903557076]

This paper presents a comparative study of extra-musical learning in the music classes of the schools of Hong Kong and Taiwan, where education is geared towards democracy and citizenship at a time of unstable national identity for both communities. Taiwan has been undergoing a process of indigenisation since 1945, whilst Hong Kong's sovereignty was returned to the People's Republic of China after 1 July 1997. This paper argues that the transmission of extra-musical learning is essentially a response to the particular needs of these two Chinese historical-social contexts, which require their music curricula to be securely grounded in the ideology of a culturally based education for 'citizenship'. Despite different approaches to western-based musical knowledge in schools, Hong Kong and Taiwan attempt to promote a sense of national identity and an essentially Confucian set of moral values as a central goal of school music education. The promotion of ethno-cultural nationalism in Taiwan's music education is regarded as a democratic goal for the Taiwanese state, though in practice, the educational systems of both Taiwan and Hong Kong are coloured by the global context.
[Copyright of Compare: A Journal of Comparative Education is the property of Routledge. Full article may be available at the publisher's website:
http://dx.doi.org/10.1080/0305792032000070066]