This study examines whether and how political party support shapes interpersonal political discussion. Drawing upon existing research, party support is hypothesized to lead to more frequent political discussion and lower levels of disagreement within discussion networks. Party support is also hypothesized to moderate the relationship between news consumption and discussion frequency and the relationship between discussion frequency and disagreement. The analysis further explores if the impact of party support varies according to the parties being supported. The hypotheses and research question were examined using data from representative surveys conducted in Hong Kong and Taiwan. The findings illustrate the importance of political party support in structuring citizens' interpersonal political discussions in the consolidated democracy of Taiwan and, though to a lesser extent, in the semi-democratic environment of Hong Kong. In Taiwan, the impact of discussion frequencies on disagreement in discussion network varies according to the party being supported. Implications of the findings are discussed..
[Copyright of Asian Journal of Communication is the property of Routledge. Full article may be available at the publisher's website:
http://dx.doi.org/10.1080/01292986.2013.827731]

Museums have been employing theatre activities in their educational programmes to outreach youngsters for more than three decades all over the world since the late 1980s; however, it is still quite a new experience for eastern and south-eastern Asian countries. In the past 3 years, Hong Kong, Singapore and Taiwan started to use different forms of museum theatre in educational programmes to represent their multiple histories and cultural identities through various projects and showcases. Among these praxes, process drama have been most widely employed by teacher-facilitators for youngsters to reconstruct their own interpretations of historical events and narratives through chosen and rediscovered historical fragments, often neglected and even forgotten in the past. I argue that these process drama projects help the youngsters to reconstruct their own ever-changing cultural identities of these places which are under enormous change day by day in their current postcolonial and postmodern conditions. I also try to demonstrate how these praxes cross geographical, historical, ethnic and cultural as well as community borders to translate historical narratives buried in their heritage sites, ethnic community histories or aboriginal intangible cultural heritage such as tribal dances, songs and rituals into contemporary dramatic enquiry activities and performances. Why are they interested in these praxes almost at the same time lately? What are their goals in these projects? What cultural and social meanings do these praxes carry and sustain? What are the aesthetic strategies they use in these programmes and why do they choose them and how well do they work to achieve their goals? I would like to apply theories of museum theatre, process drama as well as postmodern aesthetics and educational theories and theories of post-colonialism to re-examine these praxes in their different cultural contexts to explore the above questions.
[Copyright of Research in Drama Education: The

How can transnational education (TNE) programs be made more effective? According to the literature, no one is in a better position to comment on this question than the students themselves. At the same time, there is a recognized scarcity in the literature of student input into the issue of transnational program effectiveness. In consideration of this need, a research study was conducted to examine the effectiveness of TNE programs from the student perspective. To this end, transnational students' views on the various dimensions of the TNE context were used as a key indicator of the effectiveness of transnational programs. The evaluated dimensions included student, instructor, curriculum and instruction design, interaction, evaluation and assessment, technology, and program management, and organisational support. Data for the study was collected from approximately five hundred transnational students participating in eight transnational undergraduate computing programs offered by four Australian universities in Hong Kong, Malaysia, Singapore and Vietnam. Overall, students from the eight different programs considered in this study were in agreement as to the factors they perceived as most important to the effectiveness of transnational programs. As anticipated and confirmed by the literature, students were of the view that their own motivation, self-discipline, and the ability to work independently, as well as in a team, was a pre-condition of an effective program. With respect to instructors, students attached the greatest importance to the instructors' ability to understand program requirements and student needs, use communication skills effectively, and be well prepared and organized. They were also in agreement regarding the importance of instructors' experience with technology- based programs and their ability to provide well-designed syllabus and presentation outlines. The relevance of the curriculum to job and career was perceived as the most important aspect of

In this article the author discusses some of the approaches that she takes in challenging student teachers to understand education in global context, rather than in a decontextualised or instrumental way. These approaches draw on the author's experience of being an educator from the 'global South' (the Caribbean) now working in the 'global North' (Australia). As the first black teacher that most Australian student teachers have encountered in their entire education, the author finds that she can offer them provocative educational narratives and questions stemming from a lifetime career in education, studying and working in various roles in schools, colleges, universities and ministries of education in Jamaica, Grenada, Hong Kong, the UK, the USA and Australia. The author sets out to disrupt the preconceptions of her students as a starting point in a collective journey of thinking differently about education.
[Copyright of Compare: A Journal of Comparative Education is the property of Routledge. Full article may be available at the publisher’s website:
http://dx.doi.org/10.1080/03057925.2011.581513]