本研究嘗試探討嚴重智障兼多重弱能兒童是否具備高階思維的共通能力︰創造力、批判性思考能力、解決問題能力。透過文獻探究擬定評估準則，並利用互動故事作為教學策略，進行施教、觀察和評估，以得出結果。研究結果顯示，嚴重智障兼多重弱能兒童一樣具備不同程度的高階思維能力。只要因應學生的學習特性和需要，給予適當的引導和啟發，一樣可以提升這些方面的能力。當然，他們必須經過不斷的練習，及教師採取多元化的課程設計、教學策略和活動來引導學生，才能提升和鞏固其高階思維的能力。 The study examined whether students with severe mental handicap and multiple disabilities had higher order thinking skills: creativity, critical thinking skills and problem solving skills. The students were taught using the strategy of interactive story and the assessment criteria of the three higher order thinking skills were develop through reviewing related studies in the literature, Students' performance in the three higher order thinking skills were observed and rated based on the developed assessement criteria. The results indicated that students with severe mental handicap and multiple disabilities exhibit different degree of higher order thinking skills during the lessons. In teachers could provide appropriate guidance and stimulation based on the characteristics and needs of these students, higher order thinking skills could be developed though repeated practice would be necessary to reinforce the skills.
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該研究表明，北京、廣州、香港和台北的大學生在對創造力和創造力人才的內隱認知甚為一致。其中北京和廣州大學生的內隱認知更為接近，而香港和台灣大學生的內隱認知更為接近。在對高創造力特徵的內隱認知上，四地大學生一致看重的條目有：有創造力、有創見、創新、有觀察力、有思考力、願做嘗試、靈活性、有自信、有想象力、有好奇心、有個性和有獨立性等。而在對低創造力表現的內隱認知上，四地大學生的一致認同的條目有：、呆鈍、保守、跟隨傳統和願做讓步。在對創造力人才的認知上，四地的大學皆首推政治名人，次推科技界名人。四地大學生最不看重的創造力人才是藝術界和音樂界名人。這說明，兩岸三地的中國人雖然分離長久，但其對創造力的認知上仍相當一致，都甚看重政治與科技人物的影響。
This study was intended to examine how much Chinese people in Beijing, Guangzhou, Taipei and HK might share or differ on their view of creativity or creative figures. Specifically, it examined the implicit conception of creativity and creative people among a sample of 451 undergraduates in Beijing, Guangzhou, Hong Kong and Taipei. A Likert style questionnaire consisting of 60 adjectives was administered to the undergraduates and in addition, each respondent was required to nominate up to three most creative historical modern figures in China as well. The results showed that (a) the core characteristics of creativity identical in all the samples were: originality, innovativeness, thinking and observational skills, flexibility, willingness to try, self confidence, and "imagination"; (b) the Taipei sample, unlike the other three samples, do not associates wisdom, assertiveness, and individualism with creativity; (c) in all Chinese populations the three factors labeled innovative, dynamic, and intellectual were distinguishable in the concept of creativity; (d) a number of specifically Chinese personality traits were identified as not beneficial for creativity ; (e) artistic and humorous were consistently missing in the Chinese perception of creativity. In short, the respondents in the four cities shared much more than they differed in their implicit conception of creativity. Additionally, politicians were unanimously nominated by all four samples as being the most creative people in the past and at present. Scientists and inventors ranked second in position. Taken together, they occupy over 90 percent of the total number of nominations. Thus, it may

背景：一項全港首次進行的「幼兒教育質素意見調查」中，發現培養幼兒「藝術修養」及「創意」被評為最不受重視的教育素質項目。踏入廿一世紀，新科技，新概念不斷湧現，單靠傳統的知識灌輸已不足夠，教育需要與時並進，作出改變。
調查目的：探討如何透過「開放式」美勞活動提升兒童創造力，並研究何種形式的美勞教學方式有效提升兒童的創造力。
調查對象：年齡介乎5-6歲之間的8名幼稚園高班兒童及研究者 (教師)，在兒童進行美勞活動課程時，以個別的形式進行觀察；另該校校長被邀請作為觀察者對教師引導兒童進行美勞活動時的創意行為表現及特性作記錄
方法：採用「隨機抽樣」的方式，由教師 (研究員) 抽出年齡介乎5-6歲之間的8名幼稚園高班兒童，透過直接的觀察法及觀察評量表，在兒童進行美勞活動課程時，以個別的形式進行觀察；另邀請該校校長運用教師教學行為特性觀察評量，記錄教師引導兒童進行美勞活動時的創意行為表現及特性。以攝錄機拍攝活動進行時整個過程，透過錄影帶再附以評量表觀察兒童的行為表現及教師教學行為的特性。
結果：結果顯示「開放式」的美勞活動透過學習環境能有效提升兒童的創造力，創意的教師能有效推動「開放式」的美勞活動，使成為培育兒童創造力的催化劑。
總結：「開放式」的美勞活動能將兒童引入創作的空間，教師扮演的角色、採用的教學模式，和在環境上作出適當的預備和配合，可使兒童的創造力得以發展。
Background: In a territory–wide "quality early childhood education survey" conducted in Hong Kong recently, it was found that nurturing children's "artistic cultivation" and "creativity" has been rated the least quality and attention in the survey. The turn of the century, new technology, new concepts continue to emerge, traditional knowledge alone is not enough, education required to move with the time, and to make changes.
Aim: The study explores how the "open-ended" art and craft activities enhance children's creativity, and to study the mode of art and craft teaching methods that are effective to enhance children's creativity.
Sample: The study includes the researcher (class teacher), 8 randomly selected children aged from 5-6 in the upper class, and the kindergarten principal as the inter-rater.
Method: Direct observations are conducted on 8 children and the class teacher in the art and craft activities. By using direct observation, video-taping and rating scale, children's creative behavior and the characteristic of the class teacher's behavior are observed for further analysis. The principal was invited to be an inter-rater to observe the art and craft activities and score the teacher to establish inter-rater reliability.
Result: The study shows that "open-ended" art and craft activities effectively enhance children's creativity

Background: Recognizing that arts education is important in facilitating learning and in enhancing creativity in students, recent education reform in Hong Kong has sought to promote arts education and efforts to encourage creative expression through different art forms. Among different modes of creative arts expression, drawing has been suggested as the best choice for allowing creative expression by students with high ability in visual arts. Therefore, the connection between students' drawing and creativity warranted investigation.
Aims: This study explored the drawing abilities and creativity of Chinese students in Hong Kong based on their drawing performance, and examined their connection in relation to students' self-perceived artistic characteristics and involvement in drawing activities.
Sample: 105 Hong Kong Chinese primary and secondary school students, nominated by their schools to participate in the gifted programs of the Chinese University of Hong Kong, participated voluntarily in this study.
Method: Students completed two drawing tasks adapted from Clark's Drawing Abilities Test and a self-report questionnaire that included the Artistic Characteristics Scale of the Scales for Rating the Behavioral Characteristics of Superior Students and the Drawing Activity Checklist. The drawings were rated on students' drawing abilities and creativity by three Chinese visual artists as expert judges.
Results: Judges agreed more on their ratings on students' drawing abilities than on students' creativity. Judged drawing abilities and creativity were found to be moderately but significantly correlated. While judged drawing abilities were found to correlate significantly with students' self-reported artistic characteristics and drawing activities, judged creativity was found to correlate minimally with these variables.
Conclusion: This study provided supportive evidence on the connection between drawing abilities and creativity. The findings