This paper reports the perceptions of school principals, English panel chairpersons and English teachers of the new senior secondary curriculum (NSSC) in English Key Learning Area (KLA) in Hong Kong. Findings of recent research have reported dilemmas and challenges faced by school administrators and frontline teachers in undergoing curriculum change in areas of management of change, teachers' receptivity to and their readiness for the change and collaboration among the stakeholders. Drawing on these research findings the analysis of this paper focuses on whether such dilemmas and challenges exist in the enactment of change in the NSSC and the extent to which they are resolved. Using qualitative research procedures such as semi-focused interviews and lesson observations four key questions were addressed: the school personnel's understanding of the changes in the NSSC; the extent they feel they can implement the new curriculum; factors encouraging/constraining implementation; and the possible effects of change on schools. The findings show that though challenges exist in addressing the four areas, they demonstrate principals' and teachers' support for curriculum change.

Come August 2009, schools in Hong Kong will be rolling out a new Language Arts Elective called "Learning English Through Popular Culture" to be offered to the Senior Form. This new Popular Culture elective in the New Senior Curriculum is of analytic interest as Hong Kong is the first schooling system, at least in Asia, to take Popular Culture seriously and translate it as "curriculum-as-knowledge" in the national curriculum. While the relationship between Popular Culture and its relevance for schooling and classroom pedagogies has been explored in educational research, in the last decade or so, research conducted in this field has yielded a somewhat tentative and predictable finding often expressed as "pedagogical implications for literacy education and curriculum development" and, as isolated case studies. Yet the Hong Kong education system has taken up what appears to be a bold move to re-design its English Language Curriculum to include Popular Culture - a new curriculum that ostensibly takes into consideration students' interests in popular cultural texts to promote the learning of English. Promising as this new curriculum might be, there are however inherent pedagogical trouble spots in the spelled out curriculum. This paper critically examines and unpacks the articulation of the pedagogical knowledge of the new elective. Although the "curriculum-in-use" remains to be seen, I argue in this paper that the pedagogical investments of this new elective as defined in the curriculum, is reduced to "reading" and "writing" text types, where students are likely to be locked into a procedural way of "thinking" and "doing" popular cultural texts. I suggest how a critical pedagogical practice might be a more productive way of teaching the popular culture curriculum.