This paper reports findings from an investigation of the implementation of "assessment for learning" in classroom music instruction in Hong Kong primary schools, focusing on the changes in assessment practice and music teachers' classroom instruction. Qualitative methodology was employed to document the cases of three music teachers. It was found that change in assessment practice in classroom music instruction led to a change in curriculum design which enhanced curricular alignment, as well as change in the mode of instruction which facilitated communication and interaction between teachers and students.
[Copyright of Teacher Development is the property of Routledge. Full article may be available at the publisher's website:
http://dx.doi.org/10.1080/13664530701644599]

This paper reports on a study conducted in Hong Kong which addresses the question of whether teaching approaches can influence the development of learning outcomes within the context of environmental education, how such outcomes are affected by different academic ability levels, and whether they vary over time. The overall hypothesis is that enquiry teaching is more effective than didactic approaches for the development of environmental understanding, irrespective of students' original academic ability and the time frame of measurement. A quasi-experimental design based on a pre-test and two post-tests and follow-up interviews administered to geography classes at matriculation level was used to collect numerical data about changes in understanding after the teaching of a people-environment topic. Students showed a moderate level of environmental understanding to begin with. Results showed that, irrespective of academic ability, those taught with an enquiry approach did better than those who were taught didactically in the short term but not in the long term. The reasons for this trend are discussed in terms of student ability and teaching conditions in schools. To increase the effectiveness of enquiry teaching, improvements in teacher education and training, curriculum revision, funding and research support and changes in examination questions are called for.
[Copyright of International Research in Geographical and Environmental Education is the property of Routledge. Full article may be available at the publisher's website:
http://dx.doi.org/10.1080/10382040108667445 ]

Sex education is not treated as an important subject in the school curriculum of Hong Kong. The Hong Kong Education Department issued in 1986 and 1997, respectively, two guidelines on sex education for schools' reference. The 1997 Guidelines cover a broader conceptual framework relating to different aspects of human sexuality and also include teaching strategies. Surveys by the Education Department in the early 1990s showed that there were a lot of problems in promoting sex education in schools. To see whether there had been any progress in sex education in the post-handover period to China from the United Kingdom, a working group of the Hong Kong Institute of Education carried out a study on this issue in the year 1999-2000. Data were collected through a survey and a small number of structured interviews. The study reveals that secondary schools are now generally more positive in promoting sex education and more interactive teaching methods are used. However, there are still a lot of constraints in the promotion of sex education in schools in Hong Kong.
[Copyright of Sex Education is the property of Routledge. Full article may be available at the publisher's website:
http://dx.doi.org/10.1080/14681810500171458]

Through interviews and observing day-to-day classroom practice, this study explores the beliefs of 10 music teachers in elementary schools in Vancouver and Hong Kong. The results demonstrate that the music teachers of the two localities hold similar cognitive beliefs about the essential elements of music education. However, they hold different beliefs about the value or impact of music education on the psychological or character development of students. Music teachers of Vancouver are found to be more student-centred than their counterparts in Hong Kong, and this is reflected in both the curriculum and activities selected for classroom teaching. Though both groups of teachers place similar emphasis on western music, in Canada more classroom activities are based around the student's personal enjoyment and expression. In Hong Kong, meanwhile, music education is viewed as a means of nurturing the student's temperamental development. While students in Vancouver are allowed to express their personal musical preferences in classroom activities, in Hong Kong students are required to perform according to prescribed standard indicators of success. This is probably linked--albeit invisibly--to Chinese Confucian culture.
[Copyright of Teachers and Teaching: Theory and Practice is the property of Routledge. Full article may be available at the publisher's website:
http://dx.doi.org/10.1080/13450600500137182]