The landscape of tertiary education has significantly changed in recent years with increasing pressure on universities to "globalize" and expand their reach internationally. In this context, there are a range of pedagogical and cultural issues to consider when designing curriculum to address the needs of students taking courses in different geographical locations. In addition to ensuring equivalence and quality, developing context-specific learning resources is a critical part of international delivery. Providing flexibility and autonomy to meet specific geocultural teaching and learning needs is vital. Programs and courses benefit from collaboration and connectivity between students and staff in all locations to ensure meaningful global learning environments. This paper focuses on a case study from an Australian University and examines how curriculum and delivery modes can be adapted to address the changing needs of transnational education a global context. The case study involves the renewal of a core undergraduate art history and theory subject that is offered in art and design programs across three different locations (Melbourne, Hong Kong and Vietnam). A series of learning materials and assessment tasks were designed to maximize a blended learning environment comprising face-to-face workshops, lectures, and online components. The result is a technology-enabled, common curriculum framework designed to allow for content to be adapted for local delivery.
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This longitudinal study (2001-09) of two Hong Kong secondary schools highlights six issues with an integrated arts curriculum: first, integration of knowledge and skills negatively precedes the integration of learners' construction of meaning; second, integration is perceived as challenging the profession's status; third, teachers are unaccustomed to co-teaching; fourth, teachers have little prior experience conceptualizing cross-discipline teaching and learning; fifth, Hong Kong's current systemwide education reform places arts integration as a relatively low priority; and sixth, because integrated arts curriculum implementation is not mandatory, the vagaries of individual school management create a plethora of integration approaches that confound the task of forging a common definition. Remedial recommendations include cascading "seed projects" to broaden teachers' views of integrated arts and teaching, facilitating supportive school timetabling, and sharing integrated learning outcomes in the individual schools.
[Copyright of Arts Education Policy Review is the property of Routledge. Full article may be available at the publisher's website:
http://dx.doi.org/10.1080/10632913.2012.687339 ]

Collaboration in design has become a geographically distributed and culturally dispersed activity. Increasingly, design educators see the need to prepare young designers for an international market by providing students with skills not only for design but also for intercultural communication.
This thesis investigates how design patterns for facilitating intercultural design education contexts can be identified through qualitative and comparative analysis of a long-term ethnographic study of cross-cultural computer-supported collaborative design learning. The core findings of this research are based on a three-year ethnographic study of intercultural computer-supported collaboration between groups of students from Hong Kong, Korea, Austria and Taiwan. A qualitative research approach was utilized for the discovery of regularities in the observed collaborations, and a comparative research approach was employed to discover similarities and differences across cultural contexts. Data from the first year was analyzed inductively to identify reoccurring themes in design collaboration. This guided the observation of collocated activity and analysis of online conversations in the second year of this study. A map of recurring design solutions was constructed from this analysis. Eleven design patterns were written based on this analysis and presented to designers for evaluation in a pattern workshop. Based on the feedback from this workshop, in the third year of this study an in-depth analysis of computer-mediated interaction between Hong Kong and Korean students, and their local tutors, was carried out. A deductive coding scheme, informed by theories of intercultural and cross-cultural communication research, was employed to guide the analysis and articulation of design patterns for intercultural collaboration.
Within this research, an inductive and deductive methodology for identifying and articulating design patterns was developed. Therein, eleven patterns for intercultural

The qualitative educational research literature is increasingly advocating the use of literary/artistic techniques. This article describes and evaluates educational action researches by three art teachers, and questions why they have not capitalised methodologically on their artistic expertise. Analysis of commonalities in practitioner-based research in education and practice-based research in art and design reveals significant differences in these two paradigms however. Whereas artists and educational researchers both engage in qualitative problem solving and may use the same kinds of materials and tools, they develop different kinds of hypotheses, look for different sorts of evidence and apply different quality controls.
[Copyright of Educational Action Research is the property of Routledge. Full article may be available at the publisher's website: http://dx.doi.org/10.1080/09650790500200305 ]